An intense documentary about the tremendous tension between observation and interpretation. The pilots and gunners of attack helicopters who carry out nighttime missions in war zones make decisions with far-reaching consequences, not only for their targets, but for themselves as well; the fear of making a mistake is ever-present. 　　During their flights, the soldiers use thermal cameras to observe movement on the ground: anything that gives off heat lights up. From a distance, landscapes, villages, people, and animals become abstract patches of light and dark, lines, surfaces, and contours. Is the figure among them a Taliban fighter with a Kalashnikov or a shepherd with a stick? 　　Filmmaker Éléonore Weber had access to video recordings of French and American missions in Afghanistan, Iraq, and Syria. A French helicopter pilot related his often-shocking experiences to her. What begins as a monotone video essay gradually develops a powerful tension, because as viewers we find ourselves in the pilot’s seat. We catch fragments of conversations between crew members; we look, zoom in, interpret, hesitate—and then comes the explosion.

An intense documentary about the tremendous tension between observation and interpretation. The pilots and gunners of attack helicopters who carry out nighttime missions in war zones make decisions with far-reaching consequences, not only for their targets, but for themselves as well; the fear of making a mistake is ever-present. 　　During their flights, the soldiers use thermal cameras to observe movement on the ground: anything that gives off heat lights up. From a distance, landscapes, villages, people, and animals become abstract patches of light and dark, lines, surfaces, and contours. Is the figure among them a Taliban fighter with a Kalashnikov or a shepherd with a stick? 　　Filmmaker Éléonore Weber had access to video recordings of French and American missions in Afghanistan, Iraq, and Syria. A French helicopter pilot related his often-shocking experiences to her. What begins as a monotone video essay gradually develops a powerful tension, because as viewers we find ourselves in the pilot’s seat. We catch fragments of conversations between crew members; we look, zoom in, interpret, hesitate—and then comes the explosion.

女主是首富柳家的千金，暗恋着总裁古正城，然而这段感情却不被柳家老爷看好，于是女主与父亲决裂，隐藏身份嫁给古正城。三年后，古正城青梅竹马的姜盼烟回国，嫉妒嫁给古正城的女主，于是设计下药，找人强奸女主，女主逃离后，给古正城打电话，金高轩却不相信姜盼烟真会做出这种事。姜盼烟一计不成再生一计，绑架吴落凝，威胁女主签署离婚协议，女主不从，古正城赶来，姜盼烟真演了一出苦肉计，让古正城相信女主自导自演了绑架戏码，女主面对着不信任自己反而维护李涵真的古正城，终于下定决心提出离婚。 女主回归吴家，成为首富继承人，和暗恋自己多年的富家少爷一同去参加慈善晚宴，却在晚宴遇见了金高轩和姜盼烟。

李伟追求酒吧女郎贝蒂，常到酒吧捧她场和送花，更替她驱逐流氓，但贝蒂不为所动。不久李伟要离开香港，留下一面小镜子予贝蒂留念。富家子志诚也追求贝蒂，并带她见其母，但诚母反对儿子与她来往，贝蒂既伤心又愤怒，往找李伟热舞豪饮，李伟悉心安慰和照顾她，终于赢得她的芳心。一天晚上，李，贝在沙滩重遇流氓，李伟失手误杀他们一人，两人匆匆回家，一陌生男子出现勒索他们。贝蒂为救李伟，悉数照付，更重操故业维持两人生活。最后志诚跑来告知贝蒂李伟其实是老千集团头头，贝蒂伤心欲绝，枪杀李伟，然后驾车蹈海自尽。

One morning it's all over. "There's No More We", says Hampus ice cold to his fiance Adrian. For Hampus it's a total relief to break up from their destructive relationship, for Adrian it's devastating. Adrian and Hampus now have to live through their last week together, before the final day arrives. But, let's begin with the ending ..

Like every other episode in the life of Bob Dylan, the “born again” period that supposedly began with the release of Slow Train Coming (1979) and supposedly ended with Shot of Love (1981) has been endlessly scrutinized in the press. Less attention has been paid to the magnificent music he made. This very special film consists of truly electrifying video footage, much of it thought to have been lost for years and all newly restored, shot at shows in Toronto and Buffalo on the last leg of the ’79-’80 tour (with an amazing band: Muscle Shoals veteran Spooner Oldham and Terry Young on keyboards, Little Feat’s Fred Tackett on guitar, Tim Drummond on bass, the legendary Jim Keltner on drums and Clydie King, Gwen Evans, Mona Lisa Young, Regina McCrary and Mary Elizabeth Bridges on vocals) interspersed with sermons written by Luc Sante and beautifully delivered by Michael Shannon. More than just a record of some concerts, Trouble No More is a total experience.

Like every other episode in the life of Bob Dylan, the “born again” period that supposedly began with the release of Slow Train Coming (1979) and supposedly ended with Shot of Love (1981) has been endlessly scrutinized in the press. Less attention has been paid to the magnificent music he made. This very special film consists of truly electrifying video footage, much of it thought to have been lost for years and all newly restored, shot at shows in Toronto and Buffalo on the last leg of the ’79-’80 tour (with an amazing band: Muscle Shoals veteran Spooner Oldham and Terry Young on keyboards, Little Feat’s Fred Tackett on guitar, Tim Drummond on bass, the legendary Jim Keltner on drums and Clydie King, Gwen Evans, Mona Lisa Young, Regina McCrary and Mary Elizabeth Bridges on vocals) interspersed with sermons written by Luc Sante and beautifully delivered by Michael Shannon. More than just a record of some concerts, Trouble No More is a total experience.

One morning it's all over. "There's No More We", says Hampus ice cold to his fiance Adrian. For Hampus it's a total relief to break up from their destructive relationship, for Adrian it's devastating. Adrian and Hampus now have to live through their last week together, before the final day arrives. But, let's begin with the ending ..

riko　　非常想，一定要去的修学旅行！　　某日，收到的一张邀请函，是祸根？！　　1976年，和平安静的一个名叫信岛的小岛，是个邻家奶奶的70岁大寿就算是最大张罗的事情的简单朴素的村庄。但是，有一天，从岛外“飞”来了一张请帖，那正是一直想让岛内的孩子们看到外边新的世界的恩英（吴秀雅饰）老师寄给饼干工厂的信所收到的回复！信的内容是邀请信岛分校的12名学生去工厂修学，原本以为镇上就是这个世界离村子最远的地方的孩子们知道这个消息后心情激动得七上八下。　　蛤子一瓢20块，雪糕一个5块，邻居家养的牛一头1200块……数着钱过着窘迫生活的村里的大人们听到这个消息后纷纷泼冷水道：“连填饱肚子都成问题，还哪有心思搞校外教学？难道去做认真学习的‘乞丐’？！”——并没有把孩子们送出去的念头。可孩子们的心早已飞到远在千里之外的首尔，为获得家长们的许可，恩英决定和学生们一起卖东西，与家长定下只要完成目标的销售额就可以去修学的承诺。但努力挖的蛤子再多能卖出去的也是寥寥无几，想要卖冰淇淋的时候却又下大雨……连老天爷似乎也和一班虔诚的师生们作对，大家感到首尔的修学梦想好象越来越远了。就在这个时候，目睹了恩英和孩子们的努力的大人们终于被感动了，于是，信岛分校展开了建校以来的首次修学旅行。 　　翻山涉水，海的对面，终于来到了传说中的首尔！　　发出轰轰响声的火车，能说话的电视机，自动吹出风的电风扇……见到的东西全部是“第一次”，孩子们对这里的一切都感到不可思议，对其而言，首尔就像是一个多彩缤纷的游乐园。在这样快乐的气氛中，吉洙（俞承浩饰）忽然想起几年前离开家的妈妈寄给自己的信件上写的地址就是首尔。自从妈妈离家后爸爸就变成酒鬼无心照料家里，这个时候的吉洙特别想念妈妈，夜里梦见妈妈成了吉洙唯一开心的事情，但对比自己的妹妹来说已经算幸运——后者年幼，连妈妈长什么样子都记忆模糊。可妈妈究竟在这样复杂的首尔的什么地方呢？另一边，或许是太厌倦信岛的乏味生活，来到首尔的妈妈很快适应了，并再次结婚了…… 　　迷了路的孩子们，这里到底是哪里？　　在所住的旅馆附近玩的尹福忽然发现一辆无人管锁开着的自行车——闪耀着眩目的光芒，比恩英老师从前画给他们的还要漂亮呢！他招呼来好朋友吉洙和英美开始试着骑这辆车，不知什么过了多长时间，他们来到了陌生的地方。发现三人掉队不见了的恩英心急如焚，开始四处寻找，但是禁止通行的警笛声开始在街头鸣起……

riko　　非常想，一定要去的修学旅行！　　某日，收到的一张邀请函，是祸根？！　　1976年，和平安静的一个名叫信岛的小岛，是个邻家奶奶的70岁大寿就算是最大张罗的事情的简单朴素的村庄。但是，有一天，从岛外“飞”来了一张请帖，那正是一直想让岛内的孩子们看到外边新的世界的恩英（吴秀雅饰）老师寄给饼干工厂的信所收到的回复！信的内容是邀请信岛分校的12名学生去工厂修学，原本以为镇上就是这个世界离村子最远的地方的孩子们知道这个消息后心情激动得七上八下。　　蛤子一瓢20块，雪糕一个5块，邻居家养的牛一头1200块……数着钱过着窘迫生活的村里的大人们听到这个消息后纷纷泼冷水道：“连填饱肚子都成问题，还哪有心思搞校外教学？难道去做认真学习的‘乞丐’？！”——并没有把孩子们送出去的念头。可孩子们的心早已飞到远在千里之外的首尔，为获得家长们的许可，恩英决定和学生们一起卖东西，与家长定下只要完成目标的销售额就可以去修学的承诺。但努力挖的蛤子再多能卖出去的也是寥寥无几，想要卖冰淇淋的时候却又下大雨……连老天爷似乎也和一班虔诚的师生们作对，大家感到首尔的修学梦想好象越来越远了。就在这个时候，目睹了恩英和孩子们的努力的大人们终于被感动了，于是，信岛分校展开了建校以来的首次修学旅行。 　　翻山涉水，海的对面，终于来到了传说中的首尔！　　发出轰轰响声的火车，能说话的电视机，自动吹出风的电风扇……见到的东西全部是“第一次”，孩子们对这里的一切都感到不可思议，对其而言，首尔就像是一个多彩缤纷的游乐园。在这样快乐的气氛中，吉洙（俞承浩饰）忽然想起几年前离开家的妈妈寄给自己的信件上写的地址就是首尔。自从妈妈离家后爸爸就变成酒鬼无心照料家里，这个时候的吉洙特别想念妈妈，夜里梦见妈妈成了吉洙唯一开心的事情，但对比自己的妹妹来说已经算幸运——后者年幼，连妈妈长什么样子都记忆模糊。可妈妈究竟在这样复杂的首尔的什么地方呢？另一边，或许是太厌倦信岛的乏味生活，来到首尔的妈妈很快适应了，并再次结婚了…… 　　迷了路的孩子们，这里到底是哪里？　　在所住的旅馆附近玩的尹福忽然发现一辆无人管锁开着的自行车——闪耀着眩目的光芒，比恩英老师从前画给他们的还要漂亮呢！他招呼来好朋友吉洙和英美开始试着骑这辆车，不知什么过了多长时间，他们来到了陌生的地方。发现三人掉队不见了的恩英心急如焚，开始四处寻找，但是禁止通行的警笛声开始在街头鸣起……